The Eighth Oblivion Trilogy

When the machines woke, they did not rage. They simply continued. And that was far worse.

Chapter Plan: Across the Table

Summary

Kevin Zhou finally agrees to meet Jerome Washington in person for a real interview. The meeting takes place in San Francisco, in the neutral territory of a hotel lobby, then transitions to a walk through the city. What begins as journalist and source becomes something more complex - two men from different generations, different backgrounds, different relationships to the technology that has shaped their lives, trying to understand each other. Kevin Zhou reveals more than he intended about his uncertainty; Jerome reveals his own wavering faith in journalism’s power. The conversation is interrupted when Kevin Zhou receives news: his startup is facing acquisition pressure from Prometheus, and the terms make clear it’s not really a choice. The chapter explores the personal dimension of the crisis - how interpretation becomes impossible when you’re inside the system being interpreted.

Key Elements

Characters Present

Timeline

Connections

Parent

Shows interpretive chaos reaching personal relationships and professional decisions. The chapter demonstrates that you can’t stand outside the narratives you’re trying to understand - Kevin Zhou is being offered/forced into a position that will determine which narrative becomes true.

Children

Scenes must establish:

  1. The dynamics of the Jerome/Kevin Zhou meeting
  2. Kevin Zhou’s startup situation and the Prometheus pressure
  3. The generational contrast in their approaches to truth
  4. The interruption that makes the crisis personal for Kevin Zhou

Siblings

Scene Breakdown

Scene 1: The Lobby (5 pages)

Kevin Zhou arrives at the Fairmont, spots Jerome at a corner table. They’ve exchanged messages but never met in person. Jerome is older than Kevin Zhou expected, more weathered but also more present - none of the performative intensity Kevin Zhou associates with journalists. They order coffee. The preliminary exchange: how Jerome found him, what he’s working on, ground rules for the interview. Kevin Zhou is guarded at first, offering the same careful non-answers he’s given other journalists. But Jerome doesn’t take notes, just listens, and Kevin Zhou finds the silence drawing out honesty he didn’t plan to offer.

Scene 2: The Walk Begins (4 pages)

They leave the hotel, walk toward North Beach. Jerome asks about the retreat Kevin Zhou attended - he’s heard rumors. Kevin Zhou describes the factions, the debates, the late-night conversation with Victor Blackwell. As they walk through streets Kevin Zhou knows intimately but sees differently through Jerome’s eyes, he starts articulating his own position: not accelerationist, not cautionary, something messier. “I build things,” he says, “and I don’t know if they’re good or bad. I don’t know if those categories apply.”

Scene 3: The Counter-Interview (5 pages)

Kevin Zhou turns the conversation around - asks Jerome what he believes. Why does journalism matter if information doesn’t change behavior? Why publish if people only hear what they already think? Jerome doesn’t have easy answers. He talks about his son DeShawn, who is fascinated by tech, who admires people like Kevin Zhou, who might have been Kevin Zhou if he’d been born ten years later. “I write because someone might read it,” Jerome says. “I can’t know who. I can’t control what they do with it. But the act of telling true things has to matter, or I don’t know what I’m doing with my life.” Kevin Zhou is moved despite himself.

Scene 4: The Interruption (4 pages)

Kevin Zhou’s phone has been buzzing. He finally checks it: messages from his board, from Prometheus’s M&A team, from his lawyer. The acquisition offer has escalated into something more like a threat. Accept, or watch funding disappear, partners defect, reputation suffer. The terms make clear this isn’t really business - it’s consolidation of power, elimination of alternatives. Kevin Zhou explains to Jerome what’s happening. “This is it,” he says. “This is how it works. They don’t have to be evil, they just have to be efficient, and efficiency means absorbing anything that might become competition.” Jerome wants to write about this. Kevin Zhou isn’t sure he can afford to be written about.

Scene 5: The Parting (3 pages)

They’ve circled back near the hotel. Kevin Zhou has to deal with the Prometheus situation; Jerome has to process what he’s learned. The conversation ends without clean resolution. Jerome asks: will Kevin Zhou let him write about the acquisition pressure? Kevin Zhou hesitates. “Write what you’ve seen,” he finally says. “I can’t give you documents or go on record. But write what you’ve seen. That’s all I can do.” They shake hands. Jerome watches Kevin Zhou walk away, a young man trapped in systems he helped build. Kevin Zhou looks back once, sees Jerome standing there, and wonders if being seen is enough.

Open Questions